Saturday, June
23rd, 2012 5:15pm-7:00pm - Franklin Institute IMAX Theater
True Bromance is a unique and
hilarious film, falling somewhere between the various realms of comedy, drama,
documentary, and mockumentary. It
is a highly self-conscious film, and rightly so because of it’s subject, but
what makes True Bromance stand out amongst many other films is it’s extremely
reflexive nature. The film places
real people in fake situations, fake people in real situations, real people
acting, people playing caricatures of themselves, and contains some who are
completely unaware of the proverbial joke of authenticity running through the
film.
The film has a long and tortured
production history, and it is frankly a miracle of the director and main
actor’s focus and dedication that made the film come together. It is also apparent that throughout the
project, the film has become something quite different since it’s initial
conception, and it is a great trait of the film to be so constantly changing
and re-evaluating itself. The
through line of Devin Ratray attempting to find love with Condoleeza Rice holds
everything together quite well, and Devin Ratray is at times absolutely
brilliant, truly living the role to the point that it becomes very questionably
how much he is acting and how much he is being.
The film is about love of all
sorts, romantic, parental, brotherly, between friends, but it ultimately also
becomes about so many other things, such as privacy, friendly advice,
projection of love, rights to our own image, celebrity and it’s pitfalls, and
towards the end it becomes a hilarious questioning of our own government and
their responses to someone attempting to profess their love for Condi. The various ways the film is
constructed all work rather well, although the comic book interlays taken from
The Hangover and the bromance subplot feel slightly added on after the fact. But they work, and within the
reappropriated media of Condi, and the back and forth between real and fake,
the real significance of the film can be found. The film is an example of the post-postmodern crisis we face
in media today. Ultimately, the
film asks the question: what is truly real in our world of illusions, and what
illusions in our world are as real as it gets?
- Jeff Curran for #Pi5
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