We want to thank the film makers from all over the world who submitted this year. We say this every year, but it holds true, hearing your stories over the months has proven to be as rewarding as ever and is a Fest in itself. Thank you to the underground film forum #uff, underground film guild #ufg, and the Media Bureau for the platform.
14 screenings at the Franklin Institute are on tap. Media Bureau, Cafe Treece, Raven Comedy club, and the Random Tea Room round out the screening rooms. We will post the screening schedule this Thursday, May 26.
Please send in Fest screening copies now!
The Film makers lounge is open June 14th and tickets go on sale May 29th. Tickets are $8 and $10. Opening night, June 22 and closing night June 26, are $20. Please purchase early and support Independent Film Making.
Thank you from everybody at the Philadelphia Independent Film Festival 4.
See you at the Fest June 22-26.
Benjamin Barnett
Festival Director
The Philadelphia Independent Film Festival provides an environment for its participants to encourage, engage and network in the ever broadening film maker dialogs with a diverse local and international community.
We are committed to showcasing globally and locally produced work by film makers who have created a unique cinematic experience that does not feel restrained by traditional boundaries.
Showing posts with label HD Media. Show all posts
Showing posts with label HD Media. Show all posts
Monday, May 23, 2011
Tuesday, May 4, 2010
#PUFF Screenings: Drama, Mystery, and Animation with purpose!
Great night...
We watched a series of movies last night that showed a common theme, great Camera work. We also screened 12 animations (We will discuss them later). Their were many comments on the ability of Independent Film to generate good imagery while trying to tell stories. But what was also said was that camera can't save story! Acting also can't be saved by Camera and that a movie is a sum of many, many parts. Their was a lot of disagreement on this ...
Here's 2 discussion points:
Day Labor by Brandon Oneill Kohl is a metaphoric but serious look at immigration. Taken from the Home Depot for cheap labor, the laborer's move about the societies they are hired to work for. With twists and turns, the people we meet on the corner take on a whole new role in their adopted society. This is a great look at a story many people in our immigration challenged society should see. ;)
Yep, the Day Laborer has taken over the set ...
and
Educating Cooper by Bryan Litt. A short story look at a school reporter who's mother has just passed away. Meanwhile, at the same time, he refuses to give into his corrupt / sarcastic Principal who will not print his essay about one of the schools top benefactors. All the while Audrey is running about the school channeling Alley Sheedy. Where does the story go and is it cliche for the older set? If so, does it give you the feeling that these kids are really going through "change" in their lives?
Comments?
Benjamin F. Barnett
Festival Director
Philadelphia Independent Film festival
June 23 - 27, 2010
We watched a series of movies last night that showed a common theme, great Camera work. We also screened 12 animations (We will discuss them later). Their were many comments on the ability of Independent Film to generate good imagery while trying to tell stories. But what was also said was that camera can't save story! Acting also can't be saved by Camera and that a movie is a sum of many, many parts. Their was a lot of disagreement on this ...
Here's 2 discussion points:
Day Labor by Brandon Oneill Kohl is a metaphoric but serious look at immigration. Taken from the Home Depot for cheap labor, the laborer's move about the societies they are hired to work for. With twists and turns, the people we meet on the corner take on a whole new role in their adopted society. This is a great look at a story many people in our immigration challenged society should see. ;)
Yep, the Day Laborer has taken over the set ...
and
Educating Cooper by Bryan Litt. A short story look at a school reporter who's mother has just passed away. Meanwhile, at the same time, he refuses to give into his corrupt / sarcastic Principal who will not print his essay about one of the schools top benefactors. All the while Audrey is running about the school channeling Alley Sheedy. Where does the story go and is it cliche for the older set? If so, does it give you the feeling that these kids are really going through "change" in their lives?
Comments?
Benjamin F. Barnett
Festival Director
Philadelphia Independent Film festival
June 23 - 27, 2010
Friday, June 27, 2008
Film Links
Blogging live and for the first time as the 1st Philadelphia Independent Film Festival happens.
Stay informed as the Media Bureau Film Initiative integrates it's decade long history into modern day content production and aggregation by enabling the sale of royalty free HD/SD media as part of an integrated multi-faceted online multimedia database.
MBN Film Initiative:
http://PhiladelphiaIndependentFilmFestival.com
http://HDSDmedia.com
http://www.indiefilmarchive.con
We look forward to discussing ...
Stay informed as the Media Bureau Film Initiative integrates it's decade long history into modern day content production and aggregation by enabling the sale of royalty free HD/SD media as part of an integrated multi-faceted online multimedia database.
MBN Film Initiative:
http://PhiladelphiaIndependentFilmFestival.com
http://HDSDmedia.com
http://www.indiefilmarchive.con
We look forward to discussing ...
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